Art Encounters Biennial 2025: Bounding Histories. Whispering Tales, opens MAY 30th

Curated by Ana Janevski and Tevž Logar the sixth edition of the Art Encounters Biennial unfolds under the title Bounding Histories. Whispering Tales., a curatorial proposition shaped by a close reading of Timișoara’s urban fabric and its layered histories. Curated by Ana Janevski and Tevž Logar, the Biennial activates three exhibition venues—the Garrison Command (a former military building), FABER (a repurposed factory), and the Art Encounters Foundation (a former kindergarten)—as living witnesses to the city’s social, cultural, and political transformations.

In reflecting on what these places are telling us today, and how they can be occupied  in a context of an international art exhibition, the concept of the echo guided the curatorial and artistic approaches of this edition. Considered as a sound that is both repetition and altered response, an echo is an agent of change and creativity  shaped by its environment, a signal of relation rather than direct transmission. As both metaphor and method, the echo prompts thus new connections between artworks, the exhibition sites, and audiences.

Featured artists: Lawrence Abu Hamdan, Ana Adam, Alle Dicu, Marina Abramović & Ulay, Bora Baboçi, Maja Bajević, Mona Benyamin, Željka Blakšić, Pavel Brăila, Geta Brătescu, Brief Histories (Isak Berbic, Fawz Kabra), Cian Dayrit, Christine Cizmaș, Marieta Chirulescu, Clément Cogitore, Lorena Cocioni, Moriah Evans, Simone Forti, Jošt Franko, Robert Gabris, Alicia Mihai Gazcue, Ladislava Gažiová, Jean Genet, Liam Gillick & Anton Vidokle, Karpo Godina, Maria Guțu, Petrit Halilaj, Veronika Hapchenko, Sky Hopinka, Loredana Ilie, Siniša Ilić, Joan Jonas, Hassan Khan, Dana Kavelina, Belinda Kazeem-Kamiński, Kapwani Kiwanga, Ana Kun, David Maljković, Jumana Manna, Teresa Margolles, Silvia Moldovan, Alban Muja, Oscar Murillo, Andrei Nacu, Marina Naprushkina, Eduardo Navarro, Christian Nyampeta, Mila Panić, Manuel Pelmuș, Gavril Pop, Raluca Popa, Ghenadie Popescu, The Resurrection Committee (Ovidiu Țichindeleanu, Raluca Voinea), Larissa Sansour, Ștefan Sava, Selma Selman, Larisa Sitar, Bojan Stojčić, ŠKART, Nora Turato, Johanna Unzueta, Mark Verlan, Cecilia Vicuña, Rosario Zorraquin

Many of the works, including five newly commissioned pieces, directly engage with the histories and temporal palimpsests embedded in Timișoara’s spaces. The dialogues between the works navigate the intersection of historical events and contemporary crises, childhood and care, displacement and labor. The artworks bear witness to loss and destruction while also pointing toward the possibility of reparation. The exhibition opens a space where new forms of solidarity can emerge—where echoes of resistance, survival, and transformation continue to resonate, carrying the potential to disrupt and reset some of the many degrading dynamics of our contemporary world. A space for the whispering of reimagined tales, and for the bounding and bouncing of new stories.

17th Gjon Mili biennale (International Exhibition of Photography and Moving Image)

She who starts the song

Participating artists: Ivana Basić, Kristina Benjocki, Semâ Bekirović, Angela Blažanović, Željka Blakšić, Vera Hadzhiyska, Majlinda Hoxha, Astrit Ismaili, Saodat Ismailova, Šejla Kamerić, Lebohang Kganye, Ana Likar, Glorija Lizde, Maria Mavropoulou, Klodiana Millona & Endi Tupja, Joanna Piotrowska, Stanislava Pinchuk, Iva Radivojević, Lala Raščić, Simon Shiroka, Huda Takriti, and Clarissa Tossin.

The National Gallery of Kosovo is delighted to announce the participating artists in the 17th Gjon Mili International Exhibition of Photography and Moving Image. Curated by Valentine Umansky (Tate Modern, London), She who starts the song… features works by 23 artists, predominantly from the Balkans.…..

As the exhibition draws to a close, it shifts its focus to archetypes of rebellion and liberation. From the relentless labour of factory workers in Željka Blakšić’s work to the indelible scars of war in Stanislava Pinchuk’s installation, these pieces interrogate the enduring figures of the hag and the griotte—unmarried, childless, independent women often vilified for their agency. Here, the storytalker transforms into conjurers and spider women, reclaiming power in movements that both undermine and liberate.



Stitch_The_Ruin awarded at 25FPS FESTIVAL

GREEN DCP AWARD for a Croatian film in the program
Stitch the Ruin by Željka Blakšić (Gita Blak)

"A film that won us over with its tactility, atmosphere and originality with which it explores the socialist heritage and the issues of work and gender through artistic means."

STITCH THE RUIN at Revolutions Per Minute Festival, Harvard CAMLab

RPM festival, an artist run festival, is dedicated to short-form poetic, personal, cinematic work in experiments, essay film, animation, documentary, video and audiovisual performance.

Revolutions Per Minute Festival 2024 was co-hosted by Art and Art History Department and Cinema Studies at UMass-Boston, MFA Boston , Goethe-institut Boston , Brattle Theatre in Cambridge & Harvard CAMLab.

2024 NYSCA/NYFA Artist Fellows, Finalists, and Panelists

$696,000 Awarded to 87 New York State Artists Working in Fiction, Folk/Traditional Arts, Interdisciplinary Work, Painting, and Video/Film.

New York Foundation for the Arts (NYFA) has announced the recipients and finalists of the NYSCA/NYFA Artist Fellowship program, which it has administered for the past 39 years with leadership support from the New York State Council on the Arts (NYSCA). NYFA has awarded a total of $696,000 to 87 artists (including 3 collaborations) throughout New York State, whose ages range from 25-79 years, in the following disciplines: Fiction, Folk/Traditional Arts, Interdisciplinary Work, Painting, and Video/Film. 

Kunsthalle Exnergasse opening on the 5th of June

AN ENTIRELY NEW WORD

Kunsthalle Exnergasse opening on the 5th of June, 6pm

Artists: Joshua Nierodzinski, Željka Blakšić AKA Gita Blak, Sara Shaoul, Enrico Floriddia

Curator:  Rashmi Viswanathan 

Four artists each take a different approach to the dynamics of collectivity and futures as they might exist in our collective imagination. They offer a multi-perspective look at the way we understand our relationships with one another and at fundamental media structures that reinforce, inhibit or liberate our speech. Their media explorations in the context of collective practices expand the field of participation far beyond the walls of the exhibition space. Some positions look back , to the languages ​​and media forms through which we have learned to understand our history. Others, in turn, look forward , to the possibility of how language could speak a new future. Although from different perspectives, the artists are concerned with the simplest of all ideas - collective storytelling as a momentary act of liberation.

Exhibition Opening at Francis Colburn Gallery, UVM

UTILE TIES, exhibition by Željka Blakšić AKA Gita Blak and Lily Moebes for the Mollie Ruprecht Fellowship at University of Vermont. “Utile Ties” refers to the artists’ shared interest in the radical potential of usefulness and the utilitarian. Their work situates everyday objects and processes within an embodied idea of usefulness, particularly a gendered, working body, with an immediacy that suggests a need to dismantle conventional forms as well as an optimism in their undoing.

“Utile Ties” will be on display at the Francis Colburn Gallery from March 19th.

Please join us for an artist talk and opening reception at 6PM on Wednesday March 20th.

"Patterns from Nature" premiere at Hunter College - Lang Recital Hall

On the 16th of October film "Cracks", part of the multimedia performance "Patterns from Nature" will be presented with live chamber music. In this work composer Quinsin Nachoff joins forces with physicist Dr Stephen Morris and filmmakers Udo Prinsen, Tina de Groot, Lee Hutzulak and Gita Blak. Premiere performance is set for Monday, 8pm at Hunter College - Lang Recital Hall. Blending jazz and classical elements, the compositions are performed live by a chamber ensemble featuring woodwinds, brass, percussion, piano, string quartet, bass, drum set, and conductor.

If Work- IATP exhibition opening at Anonymus Gallery

AUGUST 3rd- 19th

If Work brings into conversation artists, curators and writers who have spent the past year investigating the relationship between art and labor for the 2022-23 Interdisciplinary Art and Theory Program. Its title is drawn from IATP’s Distinguished Faculty Guest Julia Bryan-Wilson and her text Art Workers: Radical Practice in the Vietnam War Era, which traces the development of the ‘art worker’ in the 1970s as a collective political identity. What the category implies, she argues, is that the labor of art has shifted from a focus on the processes of artmaking and towards the broader socio-political matrices in which artists produce. The writings of philosopher Herbert Marcuse are identified as exercising particular influence on this transition, as he believed that revolution should synthesize work and art: “If work were accompanied by a reactivation of pre-genital polymorphous eroticism, then it would tend to become gratifying in itself without losing its work content.” That is, if work were combined with instinctual gratification—play—then it would be pleasurable without losing productivity, a bulwark against alienated labor.

ARTISTS: Annabelle heckler, Brett Ginsburg, Chris Kojzar, Željka Blakšić AKA Gita Blak, Kayla Weisdorf, Kearra Amaya Gopee
Li-Ming Hu, Lily Moebes, Naomi Lisiki

CURATORS: Francesca Altamura and Miranda Samuels

PUBLICATION: Laura Serejo Genes & Kiyoto Koseki

Based in New York City and supported by Jack Shainman Gallery…

––Words by Christine Bootes, 2022–23 IATP Cohort

The Interdisciplinary Art and Theory Program

Based in New York City, The Interdisciplinary Art and Theory Program is designed to facilitate the examination of both dominant and under-recognized epistemological frameworks that inform the system of art, including its production, consumption, distribution, and exhibition.

The 2022-2023 seminars will examine themes around art and labor. Within this framework, we will focus on historical, political, and aesthetic perspectives related to conventional and non-conventional notions of art and labor practices. Particular attention will be paid to: the historical materialist method and critiques of the euro centrism there within; organized and spontaneous labor movements and their theorists; theories of class constitution and formation; intersections between class and identity formations; and the vexed relationship between postmodern theory and materialist analysis.

#JackShainmanGallery

Ildiko Butler Gallery @ Fordham University

August 2020

Connect the Dots

SERIES OF PRINTS

by: Željka Blakšic AKA Gita Blak 

https://fordhamuniversitygalleries.com/artwork/4777411-eljka-Blak-ic-AKA-Gita-Blak.html

Connect the Dots by Željka Blakšic started years ago as a drawing game made for a Game Night series of free public events presenting artist-made games, organized by Sheetal Prajapati and Anna Harsanyi at Soho20 Gallery in New York City. Participants were invited to connect the dots in order to reveal and discover a female revolutionary portrait. All the women represented in the series of prints played a pivotal role in their community and later society; as activists, theorists, educators and politicians in launching the revolution or bringing in a monumental social change that enriched the lives of many. Here we remember them and celebrate their bravery, selflessness, dedication and complexity.

Captain.JPG

Lakshmi Sahgal (Captain Lakshmi)
Polymer relief print on Arches Cover 
13 x 18 inches 
Printed by Ruth Lingen at Line Press Ltd and published by Planthouse Gallery